Saturday, August 31, 2019

The Glass Menagerie Role Of Laura English Literature Essay

The function that Laura played in The Glass Menagerie can non be overlooked as it contributed to the development of the overall subject of the book. The drama is based on the battles that worlds face in accepting world as this is the major subject of the book and Laura Wingfield is one character in the drama that had jobs accepting the challenges that life presented her with. Laura was described as a physically handicapped miss and she had troubles in accepting the world of her status ( Williams ) . Laura wanted a life that was better and would hold loved it, if she was non in the sort of state of affairs she found herself in. Though, it could be argued that, Laura did non truly play a outstanding function in the drama, but the fact remains that, the secret plan and the subjects of the drama are centered on her. Some of the symbols that lend acceptance to the importance of Laura to the overall subject of the drama are the glass unicorn, bluish roses, fire flight and the rubric of the narrative as these symbols represents the character of Laura. Laura could non come to footings with world and this is the ground that she was described as populating a slightly illusional life style in The Glass Menagerie. Due to the challenges and jobs she was faced with, Laura preferred to remain in her comfort zone and she lived in an illusional universe. Laura ‘s life was full of semblances as she lived in what could be described as a universe of glass animate beings. It is this trouble of accepting world that really bonds the Wingfield household together, as each one of them, Tom, Amanda and Laura at one point in clip, had jobs get bying with the worlds of life and its many challenges ( Williams 16-25 ) . Laura could be described as a unit of ammunition nog that suits a unit of ammunition hole as the illusional universe of glass animate beings that she lived is merely a clear representation of the existent universe that was described in the drama. This could be seen in the fact that, the people in the drama tend to deduce more satisfaction in phantasies instead than existent events. Laura created an semblance that is a representation of her inability to accept world as she fantasized about a glass ball ( of glass animate beings ) and a group of people waltzing in the Paradise Dance Hall ( Williams ) . The Glass Menagerie clearly showed that, semblances and worlds inability to accept world has become the norm in our society and Laura absolutely fits into this type of illusional universe. Harmonizing to Williams Laura ‘s fond regard to the glass universe she created is seen when â€Å" there is a ting of shattering glass. Laura cries out as if wounded. † ( qtd in Bloom 38 ) The troubles that Laura faced in accepting world could be traced to her glass menagerie, which was a aggregation of wild animate beings and this is really the chief symbol in The Glass Menagerie. This menagerie represents the illusional universe of Laura in its entirety. It is a universe that is notional and anachronic, but based on the phantasies of Laura. Laura devotes more of her clip to this illusional creative activity of hers and she is merely an illustration of people that, instead than confront the worlds of life, they prefer populating a life of phantasies that does non truly be in the existent universe. The aggregation of animate beings that Laura created was borne out of the defeat and her trouble in accepting the world that, she did non finish high school, she was crippled, and that she could non acquire the love that she desired. It could so be argued that, Laura created her ain universe of glass animate beings to get away from a universe that she felt did non in any man ner favour her. As a consequence of the crippling of one leg that made it shorter than the other, Williams explains that, â€Å" Steming from this, Laura ‘s separation additions till she is like a piece of her ain glass aggregation excessively finely delicate to travel from the shelf. † ( qtd. In Bloom 11 ) . A symbol that appears in the inventive universe of Laura is the glass unicorn and the fact that she used the unicorn merely shows the inexistent universe that Laura lives in. Unicorns are nonextant animals and the visual aspect of a unicorn in Laura ‘s glass menagerie shows that, merely like the unicorn that is nonextant and different from other Equus caballuss, Laura lived an unusual life and was different from other people. Williams says of Laura that, â€Å" the lovely breakability of glass which is her image. † ( qtd. in Bloom 26 ) . Due to the fact that, Laura saw herself different from other people, she lived a alone life and it could besides be said that, she forced herself into being unable to accommodate to the universe and people around her. In position of this fact, it could so be argued that, Laura ‘s trouble in accepting world made her to populate like an castaway. The blue rose is another symbol in the drama that shows Laura ‘s unusual and unrealistic nature. Blue Roses was the name given to Laura by Jim and it symbolizes Laura ‘s unusual but attractive quality. It is pertinent to observe that, bluish roses do non be in the existent universe and the fact that, Jim relates Laura with Blue Roses lets readers know that, Jim besides realized the unrealistic nature of Laura. Another incident that is worthy of note in the book was when Laura slipped on the fire flight in the 4th scene and this shows that, Laura was unable to get away from the hard state of affairs in her life. The drama lacked pragmatism in its entirety as this fact was established by the narrator-character, Tom. The fact that Laura was non realistic in her ideas underlines the importance of her character to the subject of the drama. The abstractionism in the drama could be seen in the assorted sorts of symbols that were used in the drama and Laura was one character that lived a life of semblances

Influence of Visual Media Paper

?The Various forms of visual entertainment media shape American culture and its values is by Visual entertainment media has shaped American culture and values in many ways. There are so many forms of entertainment nowadays that it has cause many of us including our children to forget what is more important. For example we now use the Internet to rely on so many things, like information. When at one point in time we would use books or newspapers. Video games, Internet, cell phones and things like this have taken away from our values of taking time out to enjoy a book.The children of today won’t even take time out to play outside they are more concerned with playing their video games. There was a time where children played outside every day and that was a form of exercise but now all they want to do is watch television, play games and be on the Internet and their cell phones. Visual media influences the diffusion or spread of various cultural traits, including food habits, dress ing, and entertainment. Different forms of visual media, such as television and films, provide materials from which we establish a sense of selfhood, sexuality, class, and even race.Further to this, visual media shapes the way we view the world by influencing what we consider to be right or wrong, positive or negative, and moral or immoral. The social influences of the visual entertainment media have been more negative than positive. For example YouTube has millions of video up where most of them depict something of negativity or something of no substance. There are so many videos of people fighting than there are of someone speaking out to promote non-violence. There are also sexually explicit videos where you see a person has millions of hits.Also movies have become so much more violent these days that young people are easily influenced by them, kids look up to famous actors/actresses. I think it is up to us as parents to make sure we monitor what our children do. Over the years, various forms of visual entertainment media have had some influence on the American culture. Visual entertainment media, for instance, exposes us to different kinds of music and dancing styles. When we are repeatedly exposed to these forms of entertainment, we gradually accept it as a way of life and eventually start practicing the same.Celebrity figures in visual entertainment media also influences our lifestyles. Visual media describes such persons as exceptionally talented and successful in various ways. As a result, we tend to view them as perfect role models and strive to adopt their lifestyles. For instance, the increased use of aerated drinks among Americans can be attributed to the commercial ads aired on TV with popular celebrities as the subject. As well, the rapid spread of various types of youth subculture, such as Goth subculture, can be attributed to visual media.Visual media also exposes us to nudism, cruelty, criminality, violence, unfairness, and other antisocial el ements. These elements of visual media entertainment constantly have shaped various aspects of the American culture. The influence of visual media in today's world has shaped American culture in many ways. People can be influenced with visual media because they can find it relatable. They relate to the person on a television show going through a rough time or a good time in their lives.People influenced by people on television that they look up to. For example if you are watching basketball and you see Michal Jordan wearing the newest shoes that have come out that will make you want to wear them thinking you can be like him. While with television shows, you may not look up to or influenced by the actor you are influenced by the character he plays on television. The way America visual media has shaped is because it is relatable and we are influenced by what we see. This may also change the way we think about cretin things.Such as if you decide that your son or daughter will not date until they are 18 but, you then see on television a 15 year old going on a date you then may change your mind about your son or daughter going on a date. If you hear swear words on television, you may find them inappropriate at first but you then start to use them yourself. It is as if people have grown numb to them existing. However there are good things about visual media other than changing your mind about things. It could inspire to be a better person or get a better job.This may push you harder to reach your goals that you have set for yourself. Some say that watching television is a way to learn. For example show like Dora the Explorer, Blue's Clues, and Bill Nye the Science Guy are said to teach you new things. In conclusion visual media influence social behavior and attitudes when we began to do what we see online, television, or movies. We have to get back to the basics like reading more books, watching the news, and not focus so much on the Internet, video games, movies, a nd cell phones.

Friday, August 30, 2019

Greek Mythology View’s of Creation Essay

The story of the creation of the universe has many different versions. In some cultures it is believed that the universe was created by the procreation of the Deathless Creatures. Other cultures believe that the creation of the universe resulted from a big bang in which all of the elements in the world gathered together to create a huge mass and then burst to create life. Lastly, and the most believed version, is that the creation of the universe came from a God who would create the world and everything in it. In the ancient cultures, the Greeks and Romans had many different versions of how the universe was created but most looked to the versions by Hesiod and Ovid. Hesiod was a famous oral poet in Ancient Greece. He is thought to have lived between 750 and 650 BC, but no one knows for sure. Along with Homer, Hesiod is believed to be the earliest of the Greek poets. But it is hard to prove which one had come first. Not only did his writings serve as entertainment, but they were also used in other aspects of Greek living. He taught them farming techniques and is believed to have been the first economist. Not only was he a businessman but he also was keen in astronomy and ancient time keeping. Hesiod is a very important man in Greek History and his early writings showcase his abilities. Theogony by Hesiod gives a Greek version of the creation of the universe. In this book, Hesiod describes how the entire universe was created from the Deathless Creature, Gaia. But he described that before Gaia came, the only thing that was in existence was Chaos. â€Å"In truth at first Chaos came to be† (Hesiod, Theogony 116). According to Theogony, Chaos suddenly rose out of nothing. Hesiod talks about how me might have been created from the area between Gaia, earth, and Tartarus, a massive pit in the earth below the underworld. After Chaos, Gaia was the next creature to be created. It was created as a place for the Gods and mortals to live in peace and harmony. With Gaia came the terrain of the world. The next Deathless Creature that came was Tartarus, a massive pit in the earth below the underworld. Ironically, Tartarus is where Zeus would banish all of the Deathless Creatures. What interested me is that the next Deathless Creature from Hesiod’s story of creation is Eros. Eros is the personification of love. I started to wonder how all of the other gods were created if there was no such thing as procreation at the time. And then I did some research and learned that before Eros the Gods were created through parthenogenesis. According to Webster’s Dictionary, Parthenogenesis is â€Å"development of an egg without fertilization†. This occurs when a male and female specimen is not needed to create an embryo. Just like the hammerhead or the blacktip shark, which can procreate without a male being. Eros changed the ways of the world with love. Chaos had many children, including Erebus and Nyx. Erebus and Nyx were born roughly around the same. Erebus was the male personification of the darkness while Nyx was the female personification of the night. Erebus and Nyx then went on to have children, Aether, the atmosphere and Hemera, the day. â€Å"From Chaos came forth Erebus and black Night Nyx; of Night were born Aether being the bright upper atmosphere and Day Hemera, whom she conceived and bore from union with Erebus her brother† (Hesiod 11. 116-138). The next lines in Theogony talk about Gaia giving birth to two children, Pontus and Uranus. All of the creatures represent something, this trend continues with Gaia’s children. Pontus represents the sea and Uranus represents the heavens. She created them so that she would be covered. Finally, after all of the deathless creatures were created, Gaia and Uranus came together to make the first real gods, which were known as the Titans. There were twelve Titans in all and are referred to as the second generation. The male Titans were: Oceanus, Hyperion, Coeus, Cronus, Crius, and Lapetus. The female Titans were: Mnemosyne, Tethys, Theia, Phoebe, Rhea, and Themis. Along with the twelve Titans, there were also three Cyclopes and three Hekatonkheires born. In Hesiod’s Theogony, Uranus was so disgusted by his children, the Hekatonkheires, that he banished them somewhere in Gaia. Gaia was so upset that she told her Titans to punish their father. The only one that was willing to do so was the youngest, Cronus. He castrated his father as revenge. From the castration many more creatures were born. For example, the furies were born from the blood that was spread all throughout the Earth and Aphrodite was born when Cronus threw the severed private parts into the Sea. The third and final Generation to be born from the deathless creatures was the children of Cronus and Rhea. It was prophesized to him that one of his children would over throw him. Cronus took preemptive measures and thought out an ingenious plan of swallowing his children after they were born. He had six children and one-by-one he would swallow them. His first-born child was named Hestia who was subsequently eaten. Soon to follow in her path were Demeter, Hera, Hades and Poseidon. Zeus was the last child to be born, but Rhea could not stand to see another one of her children eaten so she replaced him with a stone. The poem does not state how, but Cronus puked up the remaining five children and they all waged war on their father. Zeus would eventually win and become king. He would then do what many of the other gods had done and banish his father. He sent them all to the bottom of Tartarus where they would never be able to escape. Hesiod’s Theogony first starts off the creation process by bringing darkness, Chaos, and creating things from that. Then it gets into the procreation of the brothers and sisters, and mothers and sons. From that point, the Olympic gods mate with each other and mortal humans as well. This is one version of the Greek story of the Creation of the Universe. Ovid is a Roman poet and in his poem, Metamorphoses, it also speaks of the creation of the universe. In his poem, he splits up the human race into Four Ages: Gold, Silver, Bronze, and Iron Ages. They tell of different times in the universe’s history. At first, there is nothing. Then a god comes and organizes everything and puts it where it’s supposed to be. For example, he puts fire in the farthest part of the universe and so forth. Ovid then gives 3 stories of how mankind was created recreated. First, It then talks about how the god, Prometheus, created the human race as a replica of the God. Then Ovid talks about a war that goes on between the gods and the Giants. During that war the giants stack mountains on top of each other to reach Mount Olympus. But Zeus then knocks over the pile of mountains and all of the Giants are crushed under the rubble. Meanwhile, their blood seeps through the earth. From the blood, humans arose. The final form of creation that Ovid speaks of occurs after the flood. Zeus is upset with the Humans and wants to kill all of them. He sends a massive flood to the earth to wipe them all out. When he comes to a hill he sees two pious people and decided to let them live. The two survivors, Deucalion and Pyrrha, are the ones with recreate the human race. They take the mother bones and throw them over their shoulders. From each bone, a human would sprout up. In the Bible, the story of Genesis talks about the creation of the universe. It states the God created the universe in sex days and rested on the seventh. On each day God creates a different thing. The last thing he creates was the human race. He created them last and they were created as an image of God. According to the two poems and the chapter in the Bible, the story of the creation of the universe happened it three very different ways. In Hesiod’s version, the world and nature around it all came from Mother Earth, Gaia. And the human race came from the love that was spread by Aphrodite and Eros. In Ovid’s version, the world was a chaotic mess and it was an unknown god that restored order into the world. The bible is the only version to give a time of how long it took to create the world and everything in it. Even though there are many differences in the stories, there are also a lot of similarities as well One similarity that all of the accounts of creation hold are the human race was last to be created in all versions. Mankind came after everything in the world was created for them. Another similarity is that the humans were created as an image of God. Lastly, the final similarity that comes from all the versions is; the universe started off as nothing (pure darkness) and then a god came and began the process of creation. In conclusion, Hesiod’s version of creation takes about the promiscuous ways of the gods and titans. Their promiscuity is what created the world and everything in it. According to Ovid’s version, an unknown god created the world and everything in it and gives stories of how the humans were created and recreated. In the Book of Genesis, God created the world in seven days; as well as everything in it. All three versions of creation did have some differences in their stories, but in they all ended with the creation of mankind. Works Cited Hesiod, and Norman Oliver Brown. Theogony;. New York: Liberal Arts, 1953. Print. â€Å"Hesiod’s Creation Myth. † Women in Greek Myths. Web. 06 Dec. 2010. . Ovidius, and Mary M. Innes. The Metamorphoses of Ovid. Harmondsworth, Middlesex: Penguin, 1985. Print. Separating, By. â€Å"Xeno. ovid2. † Larryavisbrown. Web. 06 Dec. 2010. . â€Å"SparkNotes: Metamorphoses: Plot Overview. † SparkNotes: Today’s Most Popular Study Guides. Web. 06 Dec. 2010. . â€Å"Theogony. † Free Book Reviews | Book Summaries | Shvoong – Summaries & Reviews. Web. 06 Dec. 2010. . â€Å"The Theogony of Hesiod. † Internet Sacred Text Archive Home. Web. 06 Dec. 2010. .

Thursday, August 29, 2019

Investigative report Essay Example | Topics and Well Written Essays - 500 words

Investigative report - Essay Example I would listen to customer as I walked around. It is important for you to note that Wal-Mart food chain stores are not as effective as you may think. The retail stores have a shortage of employees, a problem that people could hardly discover. Despite this problem, I observed that they stock a wide range of food and grocery products (Kipple, Adam and Wherry 23). During my visit to this Wal-Mart grocery store, I found that most customers prefer to shop there because the retail outlet stocks a variety of foods and grocery products. The food chain store stocks products such as cereals, soft drinks, fish, milk, fruit and vegetables. The list of grocery products on the shelves is endless. I found out that the retail store have a strength in availing products to the consumers on time (Kipple, Adam and Wherry 24). You should note that my observations were supplemented by consumer talks, which were not deduced from interviews. Indeed, I walked around the retail store just like any other consumer and never interviewed anyone. On another different note, the retail store had a shortage of employees ranging from the shop attendants, cashiers to the supervisors. The customers were hanging around the corridors and shelves because there were few shop attendants to direct them. Additionally, the same customers would line up for several minutes before they pay for the goods to the cashiers. There were many customers inside the retail store, not because they loved the store so much, but, due to the fact that employees were inadequate. I had thought that Wal-Mart is perfect and efficient even before visiting their food chain store. Being the leading grocery business in the US and the world, one might think that there are no problems in its operations. You should note that the retail store does well in stocking many types of products, but, has a shortage of employees to meet the customer needs. I will go beyond and remind you that Whole Foods is another company that deals with

Wednesday, August 28, 2019

Fossil Inc. clothing and accessorys Legal Structure Essay

Fossil Inc. clothing and accessorys Legal Structure - Essay Example a  partnership  ran by two or more people.  Also, another option is an incorporated company where business activities  are incorporated  into a company, which bestows  life  on business as a separate legal person (Mancuso 4). The Fossil inc. Clothing and Accessory is a  design, development, marketing and distribution, company that focuses on consumer products predicated on fashion and  value  such as sunglasses, watches, and leather goods among others, for retail sale on an international basis. Fossil Inc. is an incorporated  business  since it  is formed  on a corporation. Incorporating a business provides a liability  protection  and  considerable  tax advantages. The business can  move  on despite the death or bankruptcy of shareholders or  management. Moreover, it offers the best  means  of  expansion  and the provision of  outside  investors. Fossil Inc.  is under the ownership  of two brothers; Tom and Kosta Kartsotis who own about 30% of Fossil stock. In 1993, the Fossil Inc. sold 20% of the company to investors, but Tom retained 40.5% control over the  company  while his brother retained 18.8% ownership. According to Richardson (1), initial public offering of  stock  (public ownership) yielded $19 million, which Fossil Inc. used half of it to reduce the company’s  debt  and the other half to be kept as working capital. Additionally, in 1993, Fossil Inc. had  several  subsidiaries in Europe, led by Fossil Europe GmbH i.e. the company’s  primary  European  operation  in Germany. Other subsidiary companies of Fossil Inc. included Fossil Italia SRL and Fossil France SARL, which served as Fossil’s marketing, as well as distribution entities in those countries.  In addition, Fossil B.V., formed in 1993, stood as a company holding for the three European subsidiaries, where Texas-based Fossil Inc. controlled 70 per cent of the newly formed European holding Company (International Directory of Company Histories 1). In 1994, Fossil Inc. was able

Tuesday, August 27, 2019

Employment of Minors between the Ages of 12 and 18 Essay - 1

Employment of Minors between the Ages of 12 and 18 - Essay Example (c) It is necessary for the individual to submit the following elements before they are able to be granted a certificate: (1) A certified copy of a birth certificate or birth registration card; and (2) A statement from the potential employer indicating that if he were given a certificate from the school superintendent, he could employ the minor immediately and describing the type of job offered. It shall be understood that the potential employer, by furnishing such statement, does not promise to employ the minor for any specific amount of time. (d) A copy of the certificate will be made a part of the minors school file, for all minors between the ages of 16 and 18. The certificate must show that the minor is at least 16 years of age in order to qualify the minor to work between the hours of 9:00 P.M. and 6:00 A.M. and to be employed in any of the occupations covered by Code Section 39-2-2. In addition to the certificate, the superintendent of schools, or an authorized member of his staff, shall issue an identification card to each minor in this category. The identification card will demonstrate that the minor is eligible for employment. The minor will then not have to attain future employment certificates unless his certificate is revoked by the Commissioner of Labor. (e)(1) The certificate mentioned above must be accompanied by a letter from the minors school administrator indicating that the minor is enrolled in school full-time and has a good attendance record. The employer of the minor must maintain a copy the certificate and the letter in the minors employment file. The letter must be updated in January of each academic year during which the minor is working. This process will continue until the minor turns 18, receives a high school diploma, a general educational development (GED) diploma, a special education diploma, or a certificate of high school completion, or has terminated his or her secondary education and is enrolled in a postsecondary school. Any employer failing to comply with these rules is guilty of a misdemeanor and if convicted will  be subject to a fine not to exceed $1,000.00, up to twelve months imprisonment, or both, for each violation.

Monday, August 26, 2019

Persuasive Forms of Leadership Paper Essay Example | Topics and Well Written Essays - 750 words

Persuasive Forms of Leadership Paper - Essay Example Persuasive form of leadership can be used in different methods, that is, through â€Å"persuasive leadership and the power to influence† (Bethune, 2010, p.2). It is important that public leaders should be capable of reassuring the supporters of their plans and motives as well as be able to demonstrate concern in the public affairs or issues that affect the people. Leadership is a procedure, which facilitates a manager to direct, lead and influence the work as well as behavior of the concerned people towards achievement of particular goals under the required circumstances. It is the aptitude of the manager to encourage and boost the level of confidence of his subordinates as well as motivate them to do their best in order to fulfill the tasks at hand. Leadership research has integrated various qualities that show the significant differences between leaders and non-leaders as well as the impact it has on the supporters. It is a process that calls for publicly acceptable behavior containing personality traits that will help motivate individuals to reach an objective or goal. A lot of studies have shown that a person’s characteristics along with his or her abilities and skills can forecast leader effectiveness. For example, President Obama did this by executing the healthcare reform. He captured the attention of the US citizens by first stating that insurance firms are too powerful then he suggested a reform for this case. Next, the President foresaw the final result and then executed the planned reform or solution. In this particular case, the members or supporters of the President are affected by the chances of the healthcare reform. Thus, this paper talks about the different forms of persuasive leadership, the ways a leader may be persuasive and how he or she may facilitate change, as well as the two ways in which a leader is mainly persuasive and effective. Persuasive Forms of Leadership: Trust is one of the most significant elements in public lea dership, especially when there arises a need for change. The followers or supporters of the leader need to be assured that the leader can deliver on his or her promises. If a supporter distrusts or doubts a leader then he may spread his doubts among others and soon the leader loses his power, thus leading to overall problems for the whole respective group. Trust is the first step in building relationships and when public leaders gain trust of the people they both gain mutual satisfaction. When trust is established, a leader can convince the followers that the job will get done as well as influence the opposing parties to believe in them. This indeed determines how constituents respond to change, proposed change, or the outcome. â€Å"Leadership is the potential to influence behaviour of others. It is also defined as the capacity to influence a group towards the realization of a goal† (â€Å"Management Study Guide,† n.d.). Leaders are necessary to expand future visions as well as to inspire the managerial members to want to attain the respective visions. Various forms of persuasive leadership include credibility, shared ground, compelling position, rewards and incentives, and commitment. All of these persuasive forms of leadership affect how supporters react to the intentions leaders are trying to communicate to the public. Furthermore, these persuasive forms are characteristics of leadership which supporters can observe and then develop their own opinion on the legality of data received. â€Å"A leader is involved in shaping and moulding the behaviour of the group towards accomplishment of organizational goals† (â€Å"Management Study Guide,† n.d.). The two ways in which a leader may imbibe the most effective persuasion in the public is through credibility and shared ground. Credibility:

Sunday, August 25, 2019

Group Project for Project Management Class Term Paper

Group Project for Project Management Class - Term Paper Example In the case of Lawson time tracking system, the project has been broken down into various manageable phases. The first phase is project initiation and planning. Here the main activity that should take place is the project stakeholders meeting to form working groups and split the various tasks to the teams formed. This whole phase has been approximated to take fifteen days after which the project is kicked off. The second phase is a bit short and meant to prepare the whole process of system installation. The stakeholders are supposed to identify the resources required, prepare the required hardware and create a deployment plan. The deployment plan is a document that will be given to the stakeholders informing them what they have been assigned to do and the period they are given to do the same. This should be a detailed document to avoid any sort of delays in the completion of this project. This phase is supposed to take a maximum of twenty one days. The second stage in this second pha se is system installation and testing. This stage is supposed to take a maximum of 374 days. It is the most critical stage in the process of system development since it also involves the system changeover. The first step is to install the software on the server after which the web applications are then installed. Care must be taken to ensure that all the security features and auto-update features will be installed together with the system. Security essentials are a necessity to ensure that the integrity of data and information is protected from unauthorized access. The auto update features are to help in updating the system platforms at all times to ensure they conform to the exact requirements. After the above is ensured complete and successful, the company data is installed into the system. The data installed include all the system users’ information and their log in verification information. Then a review is conducted on the checklist to ensure that all the steps are accom plished. This step is supposed to take 21 days. The second step in this stage is the testing of the installation stage. A test is conducted on the servers deployed and the general success in web application installation. After they are confirmed to function at the expected standards, the functionality of the user database is conducted. Here, the team is expected to check the security system to ascertain that user login safe and secured. All user passwords must be confirmed fed to the system to avoid denying any user access to his database account. All the errors confirmed present in the system are then fixed by the relevant personnel. This is a process expected to last 22 days maximally. A review on the inspection of the system is then conducted to signoff the whole process of installation. Work breakdown structure with estimated costs An estimated $100000 was to be used in the project. This was to cover for all the cost of all the phases that are in this project. When estimating th is cost, several factors were put into consideration. The amount of both skilled and unskilled manpower that was needed for the completion of the project was put in place. The estimated amount is not distributed equally in phases because some of the phases require more resourcing than others. Phases two is to take almost 50% of this amount because it requires a lot of things to be put in place. First the installation has to be put in plac

Saturday, August 24, 2019

Fish Eater Essay Example | Topics and Well Written Essays - 750 words

Fish Eater - Essay Example This makes the accuracy of the article in doubt too. As we look into the information, we have to make sure that it is accurate by evaluating the accuracy. The articles are peer-reviewed as they contain many of the references and footnotes which show that they are taken from reliable sources. The factual information provided in the writing can be verified through the references and credible sources provided in the end. Thus, this information seems to be accurate and credible as many other sites have also mentioned similar facts. Although we can see that not all the articles have references and they are merely only few that have references, the few references are accurate. It is hard to rely on all the information on this website since they all are not peer-reviewed. Moreover, there is no responsibility for the accuracy of the information and no other credible site is mentioned. There are hardly and graphs or charts but there are pictures on which no sources or descriptions are given. Articles for further reading are presented and they are accurate. Many of the names of the books from where the exact verse or event is taken are mentioned and they are mentioned with their dates on which they occurred. There are a number of articles mentioned on this website but none of them actually show the date when it was originally created. There is no data that can show the date or when it was last updated, revised, or edited. This means that there is no currency of the content since the website shows any of the information as to when the information was last updated or originally posted. There are certain other websites given as references and they have accurate articles that have author names and also the date on which it was published and updated. This means that the author has provided correct information by referring to those articles but yet it is incomplete in itself. The website contains many advertisements but these advertisements are separate from the content. The a dvertisements are given on the home page of the site only and nowhere else around the site for example advertisements of veils are shown. The page does not show any biased perspectives as they have given articles that are categorized according to the beliefs and so an index is created for the visitors. The information presented is factual and no third person views are given. All the information is taken from the original books as mentioned and thus, it is based on facts without bias. The information is clear about the view of each of the subjects. And there is no use of inflammatory or provocative language in any of the plenty articles presented. The information is not vague, it is straight forward and based on bookish knowledge and not on the author’s views. This source has given new and additional information regarding the other related works available. This website gives a vast range of topics that have been covered separately so that no confusion is left for the reader. T here is an index and the articles are categorized by their headings and their relation to the subject. This gives a comprehensive explanation of all the aspects of the subject leaving nothing vague. The index makes it easier to assess the coverage of the work provided. The online sources provided are complete and they seem stable. They are from credible sites and are not likely to change frequently. There is no clear indication for the online sources that whether the information is

Friday, August 23, 2019

Organized Crime and Kentucky Research Paper Example | Topics and Well Written Essays - 3000 words - 1

Organized Crime and Kentucky - Research Paper Example When considering organized in the United States, one often hears a discussion centering around the crime families of New York, Philadelphia, and Chicago.   In fact, much is known about the organized criminal elements throughout history in these major cities.   We can trace their development, origin, and arrive at various sociological theories to explain away their existence.   Less is understood, however, about the reality that organized crime has also flourished throughout the rural areas of America during the course its relatively young existence.   Kentucky is certainly a worthy example of this. We know, for example, those criminal elements are not only a part of the state's history, but that organized groups continued to develop in Kentucky throughout the 1940s and 50s.  Such organizations became a central part of society in the areas of Newport and Covington. Sociologists have long been interested in studying the perplexity that would create the need for such organized crime.   What has been discovered is that individuals will typically continue to seek out access to those activities that are either deemed illegal by the government or taboo by current the current standards and mores of society.   Examples of these, common during the Kentucky of the 40s and 50s, include illicit gambling activities, bootleg liquor, prostitution services, and a host of others. The history of Kentucky is certainly layering with various groups that have sought to capitalize on these areas of gambling and vice.

Thursday, August 22, 2019

Health Care Spending Essay Example | Topics and Well Written Essays - 1250 words

Health Care Spending - Essay Example Yet the citizens of these countries do have insurance that is provided by the government. Health Insurance Cost (2004) also states that "the average employee contribution to company-provided health insurance has increased more than 143 percent since 2000. Average out-of-pocket costs for deductibles, co-payments for medications, and co-insurance for physician and hospital visits rose 115 percent during the same period." The United States, with it wealth, education, technology, and power seems not to have a grasp on its health care spending as it spends twice as much pr capita and yet does not provide what other countries offer to their citizens. Increased health spending is causing many U.S. citizens to have no health insurance as the costs affect care that is offered to patients, public health programs, services provided in the home, etc. Due to these reasons, there is a larger gap between those who are considered the "haves" and the "have-nots". The increased costs, which affects patient care and services, programs offered to the public, in-home care, larger gaps between those who have and those who do not, etc. Yet on the other hand, it is the "what comes first the chicken or the egg" syndrome. Many believe that the reason the costs are so astounding is due to the outrageous prices charged by doctors, hospitals, pharmaceuticals, and other health care service providers. Some people believe that the United States offers the world's best health care system. However, being the most expensive system does not Health Care Spending 3 necessarily mean that it is the best. The U.S. Health Care System (2001) states that there, "42.6 million people in the U.S. currently without health insurance" Anderson (2004) suggests reasons why the spending in the U.S. is so high: These include greater use of medical services, greater administrative complexity in the U.S. health care system, increasing age of the U.S. population, threat of malpractice litigation, defensive medicine, the lack of waiting lists in the United States and higher incomes in the United States. None of these factors explain a large portion of the difference between health spending in the United States and other industrialized countries. Perhaps most surprising to many health care experts and certainly to the lay public is the fact that the United States has fewer hospital days per capita, fewer physician visits per capita, fewer MRIs and CT scanners s than the average industrialized country. The person in the United States is simply not receiving more medical care than people in many industrialized countries. The major reason why the United States spends so much on health care is that the U.S. residents pay two to three times more for hospital services, physician services and drugs tha n residents in other industrialized countries. These are the areas in which spending can be cut. It is suggested that corporations and industries refuse to pay more than what the Medicare program pays. Statistics show that the private sector pays an average of 10-20% more than Medicare. If industries refuse to pay the higher prices and negotiate lower medical and health care costs, this will reduce what individuals have to pay and will encourage Medicare to push for even lower prices. The government can also provide health Health Care

Sons and Lovers Essay Example for Free

Sons and Lovers Essay The first part of the novel focuses on Mrs. Morel and her unhappy marriage to a drinking miner. She has many arguments with her husband, some of which have painful results: on separate occasions, she is locked out of the house and hit in the head with a drawer. Estranged from her husband, Mrs. Morel takes comfort in her four children, especially her sons. Her oldest son, William, is her favorite, and she is very upset when he takes a job in London and moves away from the family. When William sickens and dies a few years later, she is crushed, not even noticing the rest of her children until she almost loses Paul, her second son, as well. From that point on, Paul becomes the focus of her life, and the two seem to live for each other. Paul falls in love with Miriam Leivers, who lives on a farm not too far from the Morel family. They carry on a very intimate, but purely platonic, relationship for many years. Mrs. Morel does not approve of Miriam, and this may be the main reason that Paul does not marry her. He constantly wavers in his feelings toward her. Paul meets Clara Dawes, a suffragette who is separated from her husband, through Miriam. As he becomes closer with Clara and they begin to discuss his relationship with Miriam, she tells him that he should consider consummating their love and he returns to Miriam to see how she feels. Paul and Miriam sleep together and are briefly happy, but shortly afterward Paul decides that he does not want to marry Miriam, and so he breaks off with her. She still feels that his soul belongs to her, and, in part agrees reluctantly. He realizes that he loves his mother most, however. After breaking off his relationship with Miriam, Paul begins to spend more time with Clara and they begin an extremely passionate affair. However, she does not want to divorce her husband Baxter, and so they can never be married. Paul’s mother falls ill and he devotes much of his time to caring for her. When she finally dies, he is broken-hearted and, after a final plea from Miriam, goes off alone at the end of the novel.

Wednesday, August 21, 2019

Audio-Visual Techniques for Communication and Expression

Audio-Visual Techniques for Communication and Expression Use of Audio-Visual Techniques in expression of ideas – an insight into the use of effective techniques Word Count: 2554 Table of Contents (Jump to) 1. Introduction – Audi visual techniques and communication 1.1 Background of Study 2. Marry Me 2.1 Narrative 2.2 Characterisation 2.3 Genre convention and variation 2.4 Specific technical features 3. Photo Booth 3.1 Narrative 3.2 Characterisation 3.3 Genre convention and variation 3.4 Specific technical features 4. Conclusion References 1. Introduction – Audi visual techniques and communication The use of the different audio visual techniques in communication and expression of ideas has been widely regarded as an important and significant evolution of the different techniques used for communication that emerged from the use of print medium and incorporation of multimedia. Communication has always been an important part of human existence and throughout the history of mankind; the same has seen a transformation from mere papyrus sheets to the incorporation of the elements of sight and sound (Branston and Stafford, 2010). The opinion of experts on the transformation on the use of visual communication is diverse, but all of them are believed to be in affirmation with the fact that the use of different audio visual techniques in communication is considered to be the most effective and efficient by senders and receivers alike (Cunningham and Turner, 2010). The reason behind the same being the fact that the incorporation of the different audio visual formats helps in the presentation of the communication in a most concise manner, yet again enabling the sender to create a long lasting impression on the mind of the receivers (Chandler, 2004). 1.1 Background of Study The aim of this academic work is to highlight the importance of the different audio visual techniques and formats and its application to the creation of two astounding creations – short films, that have made it to the finals of Tropfest, considered being the most prestigious recognitions of Australian short film categories. What makes the feature more important and relevant is the fact that annually only 16 short films are considered by the jury as finalists from a pool of more than 700 entries annually. The two important finalists to the same event that have been selected for analysis in the study are director Michelle Lehmann’s Marry Me that had been adjudged the winner of 2008’s Tropfest. The other short film is that of Photo Booth, which had been directed by Michael Noonan (http://tropfest.com, 2014). The following sections of the academic work will be individually considering taking into consideration the narrative, characterisation, genre convention and specific technical features that have helped these short films receive the accolades (Cunningham and Turner, 2010) that have led to the popularity of the films in the Australian and International film circuit as well. 2. Marry Me Michelle Lehmann’s short film Marry Me that is of 7 minutes duration. The plot revolves around a little boy and girl with their individual attention and objects of interest. The following sections provide an insight into the narrative, characterisation, genre convention and highlight the technical features that have set the film apart from the rest of the entrants to the contest (O’Donnell, 1999). 2.1 Narrative The film is seen to revolve around the interest among two young individuals and the communication or the idea that has been expressed in the film has been carefully crafted, reflecting the different individual pursuits of two young people, which have been seen to have a strange co-incidence to real life drawing significant parallel to people’s needs and wants. The film depicts the girl is particularly interested in the boy who is overwhelmed by materialistic pursuits signified by the love for his little BMX bike. The message and expression of the idea of the film is clear through the emotions that have been captured through the girl’s expressions and gleam in eyes every time he sees the boy. The girl is depicted to have fallen in love with the bike riding boy and the same has been clearly expressed through the attempts by the girl to draw the boy’s attention through a number of different ways (http://tropfest.com, 2014). Many are of opinion that the film is about the complexities of emotions of the young, but it also subtly underpins the interest and love of two different people – love for the boy for the girl, and the boy’s (Jason) interest in nothing but the bike that he has. 2.2 Characterisation Michelle Lehmann had drawn crucial similarities to the character of the girl as she had stated that even as a 5 or 6 year old girl, she had experienced the same emotional tension as being attracted to a boy who had been her neighbour and like Jason, had been found to have a particular knack to materialistic pursuits that are considered to be natural (O’Donnell, 1999). The girl who is seen to endlessly pursuit her love interest in the film has been named Chloe and the boy Jason. In order to express her idea clearly to the audience, Michelle has carefully selected the two most astounding young actors in the roles of Chloe and Jason who have been able to win the hearts of the viewers through their childish charms and natural acting. For Jason, the need was to portray a character that was very much in skin of the role portrayed by him – a young BMX enthusiast and the ease with which Jason has been seen to express his disinterest for Chloe busy fixing the wheels of his little bike makes on feel as if it is almost real and not a short film. On the other hand, the role that had been portrayed by the young girl Chloe has been nothing less than au naturel. The determined look and the expression on her face towards the end of the short film as she approaches the high plank constructed by Jason leaves one spell bound and many would wonder whether the expression can be attributed to the next to impossible task in real life (http://tropfest.com, 2014). 2.3 Genre convention and variation The genre of the film is based on the complexities of human emotion and it needs to be highlighted that the message that has been attempted to be conveyed through the short film is largely based on the different emotional pulls and pushes one might experience at a young age. Much of the film is aimed at the general audience who would leave the screen enthralled and spellbound by the enigma of analysing the meaning and idea behind the short film. The convention of the genre is based on the fact that the theme of the film holds true for human beings in reality as well. Most individuals are often engaged in the tireless pursuit of something or the other in life that is perceived to have been difficult to attain for them. The same has been carefully highlighted in the feature film through Jason’s character as he is seen to remove the ancillary supporting wheels from his bike at first, failing to successfully ride his bike without the use of the same. In the background, the girl is shown being able to learn what Jason fails. A little later, Jason attempts a small jump off the plank created by him, which also leads to a fall. Chloe tries her best to impress Jason and draw Jason’s attention; successfully achieving the feats which Jason attempts to achieve a number of times (http://tropfest.com, 2014). The variation that needs to be highlighted in the same is that human beings sometimes become so engrossed in being able to achieve a particular job or accomplishment, that they end up undermining the abilities and success of other human beings that are near to him, failing to even to pay attention to any important or critical messages that the other might convey. The same has been specifically observed while Chloe tries to give her opinion to Jason about the bike and riding. 2.4 Specific technical features Though the film does not showcase any impressive graphic or video filming in conveying the message across, one cannot help but wonder about the smallest details that have been used in the film for spreading the intended message (Cunningham and Turner, 2010). For example, when Jason removes the red coloured attachments to the spokes of his bike wheel and expresses his disinterest in them, the emotional attachment of Chloe is also expressed through the same behaviour. In the same scene, if it is considered that Jason had been rotating the wheel simultaneously whereas Chloe is seen to focus more on Jason instead of her bike, the emotional quotient is carefully reflected. More camera focus has been devoted to capture emotions on Chloe’s face as it must have been found that the girl would be more expressive in terms of emoting by the director. These are small and important specifications that need to be captured and presented by any short film director to successfully convey the intended message and at the same time be able to keep the audience entertained. 3. Photo Booth Michael Noonan’s short film the Photo Booth is an interesting and contemporary take on the aspect of hope and despair that has been portrayed in the short film of around seven minutes’ duration. The film captures the important themes of human life and the message it tries to portray is an important aspect for critiques and short film enthusiasts around the world (O’Donnell, 1999). The short film revolves around three solders on a war torn landscape who suddenly find an abandoned photo booth in the middle of nowhere, whereby the pictures coming out as print carry messages for each of them. 3.1 Narrative The narrative of the short film revolves around three soldiers and their fate outside an abandoned photo booth in the middle of a war torn landscape that keeps the audience glued to the screen to wonder about the outcome and message of the film unlike that in the case of ‘Marry Me’. The narrative is unpredictable and has successfully incorporated one of the most critical elements of movie making – uncertainty and suspense. These are considered to have an everlasting impact on the viewer and many regard the same to have a lasting impact on the mind of the viewers as the key element of surprise and awe is always a key ingredient to the success of a film or small movie (http://tropfest.com, 2014). The narrative brings to light the plight of three soldiers who are trying their best to survive and do not know for themselves the future of their predicament in war. Suddenly, they are met with an unpredictable situation, that of a lonesome photo booth in top of a small hill. Curiosity is one of the most dignified and yet sometimes cursed traits of human behaviour and the same has been highlighted in the film as the soldiers wonder what awaits them at the photo booth and goes on to investigate, under estimating the threats of being exposed to enemy observation and gun point. 3.2 Characterisation The characterisation of the short film is an important attribute as it becomes the responsibility of the actors in the film to bring to life the relevance of each of the characters that are planned and incorporated in the film. The film revolves around the three soldiers and each of them is found to display three different emotions among human beings – adventure, curiosity and suspicion (http://tropfest.com, 2014). The first soldier who enters inside the photo booth is unsuspecting and is taken by surprise once the flashes of the camera start to go off. The second soldier is portrayed to have a trait of curiosity and wariness as he is seen to be cautious when he enters inside the photo booth after seeing what the first soldier had been presented with. The third soldier had to be portrayed to be suspicious of turn of events and this is the same reason why there have been extra alertness displayed by the first and the second soldier while guarding the booth as the third entered inside. The three of them have been shown to have different outcomes based on the character portrayed by them. The first one, unsuspecting and taking life as it is, is presented a picture which shows him part of a beautiful family comprising of a beautiful wife and twin daughters. The second soldiers displays mixed traits and is shown to receive a picture with only his companion who gradually disappears from the frames while the third is shot dead by enemy gunfire as he was the most suspicious one and enters the booth at the last. Through the characters, the director tries to portray the message that it is perception and thought process of individuals which leads to the outcomes. 3.3 Genre convention and variation There have been two specific genres displayed in the short film – that of human nature and the relation between the thoughts and outcomes faced by human beings in reality. It needs to be highlighted here the fact that initially the genre of the short film was thought to be related to war and the outcome of the film being rendered predictable. However, the message and surprise element of the film clearly unfolds when the pictures are presented to the soldiers (http://tropfest.com, 2014). In the end, what makes the film so interesting is that the film portrays a multitude of different factors that are related to human life and fate, and it is highlighted how the thought process of human beings influence the outcomes and fate that is met by individuals in the real world. Genre convention and variation is an important aspect of any communication to large section of viewers as the same enables the makers of the short films to captivate the interests of the audience and keep them glued to the outcome of the message to be portrayed in the film. 3.4 Specific technical features The film is considered to be richer in terms of the technical features that have been included in the film. The aim of the director was to include the elements of surprise more on the lines of shock and the same has been effectively incorporated in the sound designing of the film which makes the film more relatable to reality and one can identify the suspense and uncertainty that is faced by soldiers in the war field. Fear and anxiety has been portrayed well in the movie as the soldiers are successful in expressing the same feelings on their anguished faces (http://tropfest.com, 2014). Moreover, the loud snapping of the shutter of the camera has been effectively used to shock the audience which is considered to be an important component of film making. Especially in the last scene when the third soldier gets shot and there is an element of confusion clearly depicting the mental state and trauma of the soldier when he gets to see his picture in the photo is considered to be outstanding in highlighting the theme of despair as the soldier is shown to lose composure and his guard at the most critical time – in the face of enemy gunfire, when in the previous scenes, he is portrayed to be most suspicious of the circumstances. 4. Conclusion There are different factors and aspects that are considered to have an impact on the success of film making and the effectiveness of the director to incorporate these elements determine the ability of the production to captivate audiences and determine the outcomes of film making. This academic work was aimed at highlighting these specific factors in film making and the effective incorporation of the same in the two short films that have been highlighted in the study. References Branston, G. and Stafford, R. (2010). The media student’s book. London: Routledge. NB Chandler, G. (2004) Cut by Cut: Editing Your Film or Video. Studio City, CA: Michael Wiese Cunningham, S. and Turner, G. (2010). The media and communications in Australia. Sydney: Allen Unwin. Marry Me, Michelle Lehman (director), Australia, 2008  http://tropfest.com/au/2011/12/08/marry-me/ Morley, D. (1996) Television, Audiences and Cultural Studies. London : Routledge. ODonnell, P. (1999). The other 66 per cent? Rethinking the labour market for journalism graduates. Australian Journalism Review, 21(1), 123-142. Photo Booth,  Michael Noonan (director), Australia, 2012http://tropfest.com/au/2012/02/04/photo-booth/ Ruthven, K. (1998). The Future of Disciplines: A Report on Ignorance. In Knowing Ourselves and Others: The Humanities in Australia into the 21st Century. Australian Research Council Vol. 3, pp. 95-113.

Tuesday, August 20, 2019

Heterogeneous Space In Architecture

Heterogeneous Space In Architecture In Space Reader: Heterogeneous Space in Architecture, Michael Hensel, Christopher Hight and Achim Menges discusses the possible approach of heterogeneous space in contemporary architecture through examining the role of space in Modern and Post-Modern architecture, To understand what constitutes heterogeneous space, let us examine each term. Most simply, heterogeneous means something (an object or system) that consists of a diverse range of items or qualities, which can include differences in kind as well as differences in degree. These could be multiplicities of things, abrupt changes or smooth gradients. However, the dominant approach to such diversities draws from a Platonic lineage that sees all the variations in reference to a model or perhaps a norm; all apparent differences are here really only deviations from the model, their identity given by degrees of resemblance to a single uniformity. All diversity is seen as phenomena measured against this unity, which is seen as more real, even if it only exists as an ideal or statistical mean. This is true for dualism as well. Examples might be the traditional opposition of masculine and feminine, in which the latter is treated as a version of the first, or any number of racisms. Luce Irigaray h as shown that the logic of dualisms involves not two terms but only the semblance of two terms. Phallocentrism is the use of a netural or universal term to define both sexes: within this structure, there is not one term, man, ant another independent term that is denigrated, woman. Rather, there is only one term, the other being defined as what it is not, its other or opposite. Irigarays claim is that woman is erased as such within this logic: there is no space for women because taking their place is the specter or simulacrum of woman, mans fanciful counterpart, that which he has expelled and other from himself. Gilles Deleuze has called this the Logic of the Same, and while it may appear either benign or despotic, it nevertheless always forecloses the possibility of real difference. Implicit in the pervasiveness of structures of binarization is the refusal to acknowledge the invisibility or negligibility of the subordinated term, its fundamental erasure as an autonomous or contained term. The binary structure not only defines the privileged term as the only term of the pair, but it infinitizes the negative term, rendering it definitionally amorphous, the receptacle of all that is excessive or expelled from the circuit of the privileged term. Yet while attempting to definitively and definitionally anchor terms, while struggling for settled, stabilized power relation, while presenting themselves s immutable and givem dualisms are always in the process of subtle renegotiation and redefinition. They are considerablt more flexible in their scope and history than their logic would indicate, for each term shifts and their values realign, while the binarized structure remains intact. It would be a mistake to assume that these oppositional categories are somehow fixed or immune to reordering and subtle shifts. Therefore, something significant is at stake once one thinks of differences as a positivity rather than simply a variance from uniformity. Here we should distinguish between difference and diversity in the way Deleuze described for philosophical traditions of ontology and epistemology in Difference and Repetition (1968). Difference is not diversity. Diversity is given, but the difference is that by which the given is given. Difference is not a phenomenon but the noumenon closest to phenomenon. .. Every diversity and every change refers to a difference which is its sufficient reason. Everything which happens and everything which appears is correlate with orders of difference: difference of level, temperature, pressure, tension, potential, difference of intensity. Deleuze argues that rather than naturalise the Logic of the Sames presumption of an underlying uniformity, we should accept the diversity of the universe as such and not attempt to reduce it. Once one accepts that diversity is irreducible rather than simply variations on or resemblances to an ideal model of Sameness, the problem becomes not how to account for divergences but how to think through multiplicities and how they happen and are correlated through other differences. Deleuze argues that such differences are Real, not effects of our perception or cultural constructions. Indeed, these differences produce the events, objects, and qualities that produce affective phenomena (such as temperature changes). Everything is produced via events of differentiation, even coherences and order. That is, while heterogeneity was once understood as a divergence from an underlying uniformity of Being that needed explanation, now we need to explain any apparent uniformity and ordering via process es of differentiation. Difference is active production of apparently coherent Beings-as-events. Thus, heterogeneity is a condition where phenomena of coherences across diversities are produced by processes of differentiation and can be understood and apprehended as such. This runs immediately into common ideas of space as homogeneous and passive, ordered only by the imposition of form, movement, activities or boundaries understood as distinct from space itself. In other words, space is seen as the product of formal operations or as a neutral and uniform space for such relations. Such commonplace are incompatible with the immanent heterogeneity of things since space becomes an underlying or overlaying uniformity against which to read diversity. Obviously, the differentials sketched above occur in time but also in space. This field of relations transforms through time and space, indeed is spatially configures through temporal transformations (for example, heated air produced a different spacing of molecules). Heterogeneous space therefore neither pre-exists diversity, nor is it simply the effect of processes of differentiation; rather, it is the immanent field of relations between differentials. It is not static but always flux, and therefore might be more precisely understood as the spacing through which difference manifests and is constituted via other differentials. The nature of heterogeneous space and homogeneous space can be studied by looking at Deleuze and Guattaris discussion of smooth and striated space using chess and game of Go for comparison in A Thousand Plateaus. In chess, the pieces are hierarchically differentiated while the board consists of a simple grid that is almost neutral but polarized between two sides (analogous to battle fronts). The pieces move across the grid, but always with a bias to the two fronts. In occupying the spaces, the pieces change the strategic conditions of the game. However, the strategic space of the game is constructed by moving distinct objects in relation to one another across what remains an essentially homogeneous and static field. In the game of Go, on the other han, the pieces are minimally differentiated (they are only black or white discs). While chess pieces occupy the spaces of the grid as if they were enclosed territories, in Go the discs are located at cross-points of a much larger grid field. Instead of moving, pieces are placed and remain, only being altered when surrounded by pieced of the opposite color. Players do not advance in fronts, but can place discs anywhere to control the board from all sides, attempting to create conditions where the addition of one single piece might create a closed territory around many opposite colors and potentially instantly switch control of the board. Here, the pieces are not so much objects occupying territories within an otherwise homogeneous space as charges within a fluctuating field-space out of which territorial boundaries emerge or are held open across distances. What one manipulates in Go is thus the space of th game itself. While the typological pieces are dominant in chess, using translational dynamics to produce strategic effects, in Go space dominates the notational pieces, whose importance is determined purely by their relation to the space around them and is dynamic, holding the potential for a multiplicity of outcomes at any stage. Chess poses active objects moving through a static space that is basically homogenous. In Go, space itself is in flux and cannot be reduced to a static frame of reference or ordering measure. For Deleuze and Guattari these two games suggest different ways of understanding the relationship between identity, agency and space: chess pieces entertain biunivocal relations with one another, and with the adversarys pieces: their functioning is structural. On the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only) Chess pieces are actors whose roles are defined a priori of the temporal spatial relationships, while those of Go are produced through the playing of a game. To extend this analogy, in the heterogeneous space like that of Go, identity and agency is produced via contingent spatial relationship with many similarly informed but also thereby differentiated actors. In chess, on the other hand, identity is given and occupies a given role and space as a sovereign subject in relation to others. The queen is always the most powerful piece; a pebble in Go is critical or not only in relation to the space of the board it participates in constructing. The body politics of chess requires a static space through which to organize itself; the multitude of Go is at once constructed through space and a spatial construct. One plays Go by managing spatial differentials; one plays chess by deploying already defined differences in space. Heterogeneous space can thus be contrasted to an isotonic space through which one moves. Rather than defining difference against a constant measure, or metric, of space as a ground, differentiation is produced via the immanent unfolding of spatial processes. These differentiations could be sudden or gradual, or both at different locations. Moreover, there can exist within the same dimensions a manifold set of such relationships; these sets, or systems, might be intricately entwined or barely connected though they must be calibrated to each other in some way and not simply overlapped. In terms of design, this understanding of heterogeneous space would hold that differentiation of use and complexity of form arise from spatial qualities, and that these qualities are inseparable from its material conditions. This space could produce controlled but varied atmospheric effects as well as different performative capacities that are not determined by programmatic function. Such a space would necessarily be affective in relation to the actors and agencies that traverse it, enfolding subjective perception with its material conditions. Moreover, these spatial affects would not be distince or th result of formal organizations of matter but would be means through which material and programmatic organizations would be configured and manifested. Heterogeneous space in architecture is therefore neither difference produced by form within an overall uniformity (modern space) not a collage of distinct formal elements (Post-Modern space). Instead, the proposition of a heteroheneous sp ac would produce and permit differentiation and discontinuity of both quality and organization across multiple conditions within an overall coherency. In a certain sense, all of Deleuzes works, as Deleuze makes clear in his reading of Foucault, are about the outside, the unthought, the exterior, the surface, the simulacrum, the fold, lines of flight, what resists assimilation, what remains foreign even within a presumed identity, whether this is the intrusion of a minor language into a majoritarian one of the pack submerged within an individual. It is significant that Deleuze, like Derrida, does not attempt to abandon binarized thought or to replace it with an alternative; rather, binarized categories are played off each other, are rendered molecular, global, and are analysed in their molar particularities, so that the possibilities of their reconnections, their realignment in different system, are established. (desire) Can architecture inhabit us as much as we see ourselves inhabiting it? Does architecture have to be seen in terms of subjectivization and semiotization, in terms of use and meaning? Can architecture be thought, no longer as a whole, a complex unity, but as a set of and site for becomings of all knids? What would such an understanding entail? In short, can architecture be thought, in connection with other series, as assemblage? What would this entail? What are the implications of opening up architectural discourses to Deleuzian desire-as-production? Can is become something -many things other than what it is and how it presently functions? If its present function is an effect of the crystallization of its history within, inside, its present, can its future be something else? How can each be used by the other, not just to affirm itself and receive external approval but also to question and thus to expand itself, to become otherwise, without assuming any provolege or primacy of the one over the other and without assuming that the relation between them must be one of direct utility or translation? Architecture has tended to conceive of itself as an art, a science, or a mechanics for the manipulation of space, indeed probably the largest, most systematic and most powerful mode for spatial organization and modification. Deleuze claims that Bergson is one of the great thinkers of becoming, of duration, multiplicity, and virtuality. Bergson developed his notion of duration in opposition to his understanding of space and spatiality. This understanding of duration and the unhinging of temporality that it performs are of at least indirect relevance to the arts or sciences of space, which may, through a logic of invention, derail and transforms space and spatiality in analogous ways. Space is understood, according to Deleuze, as a multiplicity that brings together the key characteristics of externality, simultaneity, contiguity or juxtaposition, difference of degree, and quantitative differentiations. Space is mired in misconceptions and assumptions, habits and unreflective gestures that convert and transform it. Architecture, the art or science of spatial manipulation, must be as implicated in this as any other discipline or practice. According to Bergson, a certain habit of thought inverts the relations between space and objects, space and extension, to make it seem as if space precedes objects, when in fact space itself is produced through matter, extension, and movement: Concrete extensity, that is to say, the diversity of sensiblequalities, is not within space; rather it is space that we thrust into extensity. Space is not a ground on which real motion is posited; rather it is real motion that deposits space beneath itself. But our imagination, which is preoccupied above all by the convenience of expression and the exigencies of material life, prefers to invert the natural order of the termsà ¢Ã¢â€š ¬Ã‚ ¦ Therfore, it comes to see movement as only a variation of distance, space being thus supposed to precede motion. Then, in a space which is homogeneous and infinitely divisible, we draw, in imagination, a trajectory and fix positions: afterwards, applying the movement to the trajectory, we see it divisible like the line we have drawn, and equally denuded of quality. Space in itself, space outside these ruses of the imagination, is not static, fixed, infinitely expandable, infinitely divisible, concrete, extended, continuous, and homogeneous, though perhaps we must think it in these terms in order to continue our everyday lives. Space, like time, is emergence and eruption, oriented not to the ordered, the controlled, the static, but to the event, to movement or action. If we shut up motion in space, as Bergson suggests, then we shut space up in quantification, without ever being able to think space in terms of quality, of difference and discontinuity. Space, ineffect, is matter or extension, but the schema of matter, that is, the representation of the limit where the movement of expansion would come to an end as the external envelope of all possible extensions. In this sense, it is not matter, it is not extensity, that is in space, but the very opposite. And if we think that matter has a thousand ways of becoming expanded or extended, we must also say that there are all kinds of distinct extensities, all related, but still qualified, and which will finish by intermingling only in our own schema of space. It is not an existing, God-given space, the Cartesian space of numerical division, but an unfolding space, defined, as time is, by the arc of movement and thus a space open to becoming, by which I mean becoming other than itself, other than what it has been. It is to refuse to conceptualise space as a medium, as a container, a passive receptacle whose form is given by its content, and instead to see it as a moment of becoming, of opening up and proliferation, a passage from one space to another, a space of change, which changes with time.

Monday, August 19, 2019

Mcdonaldization: Health In A Fastfood Society Essay -- essays research

McDonaldization: Health in A Fastfood Society   Ã‚  Ã‚  Ã‚  Ã‚  McDonaldization, is the term Ritzer derived from the McDonalds' fast food chain to describe the state of our society. Ritzer claims our social institutions have become completely dehumanized in the form of a bureaucracy. Health care is an example of one institution that is characterized by the four components of bureaucracy: efficiency, predictability, control and quantification.   Ã‚  Ã‚  Ã‚  Ã‚  In the past, health care was more simplistic in nature. House calls were no unheard of, and doctors knew all of their patients and their families on a personal level. The doctor who delivered your parents would deliver you as well as your future children. Follow-ups were quite normal; doctors were concerned with your progress for their own peace of mind.   Ã‚  Ã‚  Ã‚  Ã‚  Over time the modern health care system emerged into the bureaucratic organization that it is. All the characteristics depicted by Ritzer are easily seen when one examines health care. From a normal trip to the doctor for a routine check-up or even a specific ailment to rush trip in the emergency room predictability, control, efficiency, and quantification are obvious.   Ã‚  Ã‚  Ã‚  Ã‚  Quantification is easily seen when you first step into a hospital waiting room and a huge sign tells you a number before you are even able to speak to anyone. After waiting a while your number is called, you must give your health card number to the receptionist before continuing. You are then given a file number, which is your only identity for the time you spend within the hospital environment. After seeing the doctor you may come out with a few prescriptions which furthers your nameless ordeal. When you drop nameless ordeal. When you drop into a pharmacy to have a prescription filled the first thing they ask is if you know your prescription number. If you cannot remember it, your actual name is a secondary possibility as a means of identification. Before paying you may have to show your Blue Cross card number or other insurance cards as well, in all it is a very dehumanizing, impersonal process.   Ã‚  Ã‚  Ã‚  Ã‚  Efficiency is another characteristic that is prominent in the hospital situation. To make sure things more smoothly you must call ahead and make an appointment with the reception... ...ike health care workers has come in the face of a demand for efficiency and quantification. It is hard to say who is victimized most by this dehumanization; the doctors who must deny their humanity or their patients who must go to them for treatment.   Ã‚  Ã‚  Ã‚  Ã‚  In conclusion when one applies the four components of McDonaldization to our present health care system one discovers that they are aptly applicable. Quantification is seen when one thinks about how our medical identity is comprised of a series of different numbers. Efficiency is supposed to occur with phone-in prescriptions and appointments. Control is assured by a doctor's capacity to make life or death decisions. As for predictability it is common knowledge as to what routine one follows to receive treatment. The irrationality is how impersonal and inefficient the whole system can become through overworked doctors and other professionals. The iron cage is how the patients of these stressed doctors feel from these doctors' ignorance and neglect. In all it is true that the health care system is one social institution that does successfully meet all of Ritzer's requirements for a McDonaldized institution.

Sunday, August 18, 2019

A Separate Peace :: essays research papers

Most stories’ titles give readers some insight of what the story will be about. This important concept is seen in the novel, A Separate Peace, written by John Knowles. In general the setting is its own separate peace. There are also specific examples of when characters in the novel try to create their own separate peace. The winter carnival is a good example, which shows the students at the Devon School creating their own separate peace. After being severely maimed, Finny enters his own state of mind, where there is no war occurring. He tries to put this state of mind into the other students’ minds. Finny starts a winter carnival during which the boys at Devon feel a degree of freedom in this time of war. At the carnival the boys drink cider and dance on the tables. They all feel that nothing matters anymore but their own fantasy world. Even the boys that were uptight about the war, like Brinker, loosened up and enjoyed the fantasy that Finny created. Finny successfully creates his own separate peace by creating a fantasy world. Gene and Finny create their own peace after there is a period of guilty tension. After Gene shakes Finny out of the tree, he feels guilt start to fall upon him. He is hesitant to tell Finny the truth about his accident, and as a result his guilt jumps to a higher level. Gene tries to tell him at the hospital that he is responsible for Finny falling out of the tree, but the doctor interrupts them. This tension between them builds until Gene admits to Finny what really happened. After that, Finny forgives him, and they resume their friendship, and their separate peace. A Separate Peace is shown through many examples in this novel.

Saturday, August 17, 2019

F. Scott Fitzgerald’s “The Great Gatsby” and Brett Easton Ellis’ “Less Than Zero” Essay

Explore the function of the narrator in F. Scott Fitzgerald’s â€Å"The Great Gatsby† and Brett Easton Ellis’ â€Å"Less Than Zero† Published in 1925 by author F. Scott Fitzgerald, The Great Gatsby, is considered a literary classic by many critics. The eponymous novel is set in the â€Å"Roaring 1920’s† post World War 1 and tells the tale of Jay Gatsby through the novel’s narrator, Nick Carraway. The exposition begins when we are told of the socio-cultural divide between the upper class of America, by a character who has just moved to Long Island from Minnesota. The clear separation between West Egg and East Egg is an idea explored by Nick, who is a resident of the â€Å"lower-upper† class West Egg. Throughout the novel, it can be observed that events that occur are a direct parallel to the life of Scott Fitzgerald, as he projects characteristics of both Gatsby and Nick that were similar to his own. It is widely believed that the book is written in a manner that is cynical of the American Dream and of the elitist society, in a biased fashion that favours Gatsby. Conversely, Less Than Zero is a novel set in the 1980s and tells the story of affluent college students, who lead hedonistic lifestyles with the security of their parents’ wealth. Brett Easton Ellis’ first novel in his oeuvre is written during the years following the Vietnam War of economic prosperity in Reagan’s America and highlights the fragmented society caused by passionless relationships between friends and family and the lack of morality present in upper class America. The two novels contrast in the cities that they are set in; The Great Gatsby is set in New York’s Long Island, whilst Less Than Zero is set in California on the opposite coast of America. However the behaviour of the two generations is quite similar, and is reflective of the influence of money on higher-class society during the respective periods. In The Great Gatsby, Nick Carraway is not only the narrator, but also a character that actively participates in the novel and it his opinion that dictates how the reader perceives other characters. One obvious example of this is in the novel’s title, as the epithet â€Å"Great† is used to describe a character that the reader has not yet met. This suggests that Nick Carraway idolizes Gatsby in some aspects and to some degree, aspires to what Gatsby represents. â€Å"†¦ Produced like the supper, no doubt, out of a caterers basket.† This short extract is taken from a section where Nick is describing a lavish party that is frequently held by Gatsby. The metaphor implies that Gatsby is almost God-like in the way he is able to throw extravagant parties yet remains anonymous to those that attend. During the 1920’s, there was a period of what was known as prohibition, where all alcohol was banned, and yet people are often described drinking throughout The Great Gatsby. This could be a condemnation of upper class society, as it suggests they are just as immoral, if not more so, than the lower classes. Fitzgerald himself went from a family of mediocrity to a sudden rise in splendor through his writings, and can therefore relate to the awe that one might feel when acclimatizing to such a society. Less Than Zero’s narrator, Clay, does not represent its author in the same way as Nick does, however Easton-Ellis uses Clay to magnify the issues that surrounded affluent college students during the 80s. Clay often negatively portrays the actions of other characters, which can be seen as an act of hypocrisy. For example, â€Å"Because you both stole a quarter gram of cocaine from me the last time I left my door open. That’s why.† At this point, Clay accuses his sisters of stealing his cocaine, which they put down to him â€Å"leaving his door unlocked†. This may be a reference to the lack of privacy or a lack of trust within society to such a degree that one cannot trust even their closest family. Nick Carraway is arguably a biased narrator, through his romanticized and idealized description of the novel’s protagonist and adversely, his foil, Tom Buchanan. On their first encounter Nick describes Gatsby’s gestures with authority for example, â€Å"He had one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced, or seemed to face, the whole external world for an instant and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself† This quotation epitomizes Nick’s admiration for Gatsby before he has properly met him and implies that he has already formulated an opinion based upon rumours he has heard but also based on the party Gatsby invited him to. Once again, this is may be seen as a condemnation of American society by Fitzgerald who shows that capitalist and superficiality was a major factor in defining an individual. Gatsby’s flawless persona does deteriorate as the novel progresses and as Gatsby comes close to achieving his dream, however Nick appears to glaze over this and as a result, preserves Gatsby’s â€Å"greatness† to the reader. The use of the affectation â€Å"old sport† throughout Gatsby’s communication with Nick highlights a friendship that is neither formal nor informal but rather one of an illusionary nature. This is to say that Gatsby uses the affectation in order to evoke a more appealing, intellectual persona. Despite Nick seeing through his faà §ade, he chooses to ignore the matter, instead only becomes more infatuated with what Gatsby represents. â€Å"What part of the Middle West?’ I inquired casually.’ ‘San Francisco’ ‘I see† It is apparent that Nick knows San Francisco is not in the Middle West but rather on the west coast yet he chooses not to argue as if Gatsby’s word is unequivocally truth. Claire Stocks puts this infatuation down to a likeness that both men share which is that â€Å"[both men] seem to be the victims of insufficient or thwarted inheritances†¦ They are both forced to work for their living†. It can be suggested that towards the end of Less Than Zero, Clay wants to leave this society as he narrates, â€Å"My eyes keep wandering off the screen and to the two green exit signs that hang over the two doors in the back of the theater† This occurs whilst Clay, Blair and Kim are in the cinema watching a â€Å"gory† film and highlights that Clay does in fact have some form of morality despite the actions that he part-takes in. Easton-Ellis reveals a character that is torn between being moral or following the hedonistic life he is so easily acclimatized to. Fitzgerald also uses Nick Carraway as a way of criticizing the society that he strives to be a part of. This is evident in Chapter 2, where Nick spends time with Tom, Myrtle and Mr. Wilson, â€Å"I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.† At this point, Nick may be referring to the â€Å"variety† of classes that are present, as Myrtle and Mr. Wilson are of a lower class, himself of middle class and Tom from the upper echelons of society. It may be seen that Fitzgerald could not stand the behavior of the people he became associated with, however realized that their behavior was a result of what he sought after, in terms of the â€Å"American dream† and therefore feels â€Å"enchanted† by the hedonistic nature of the upper class. Nevertheless, Fitzgerald also highlights the vast socio-cultural divide between classes and as such presents the reader with an ambiguous view of fractured relationships. Clay also presents his own society with undertones of disdain, being cynical of the netherworld through his direct and succinct account of various events that take place. He rarely places emotion or opinion in his description of events and as a result, it seems that he is more of a trustworthy narrator. This is most evident when he recounts the viewing of a â€Å"snuff† movie, â€Å"It looks like a toolbox and I’m confused for a minute and Blair walks out of the room. And he takes out an ice pick and what looks like a wire hanger and a package of nails and then a thin, large knife and he comes toward the girl and Daniel smiles and nudges me in the ribs.† The repeated use of polysyndeton gives the reader the impression that Clay is not properly viewing the movie; instead, he is almost analyzing it as if it were a novel. The lack of sensory description also implies that Clay is trying to distance himself from this and that he sees the crude and disgusting nature of what he is being shown. At this time, snuff films had just been exposed and were not an unknown phenomenon. Therefore, Easton-Ellis may be suggesting that society has lost its moral compass/guidance, being reduced to ignoring such shocking acts. However, in spite of this, Clay does offer himself as a more intellectual individual compared to other characters, by the way he looks at the billboard that is titled â€Å"Disappear Here†. Evidently he does not choose to â€Å"disappear† and instead stays amongst the morally obsolete society that he is attached to and this ultimately leads to the dà ©nouement in which he is forced to leave his society. Both novels differ in the tone in which they are written though the contexts are very similar despite being in diverse decades. On the one hand, there is Nick who is biased towards one specific character and seems to show disdain for the society that he once strived for, and on the other, Clay, who has a more direct approach to narration and more expressively communicates the plot to the reader. Overall, the two narrators are used to convey to very different ideas that are relevant to their contexts. The Great Gatsby is narrated such that the reader is almost forced into liking Gatsby despite his clear superficiality, which is upheld by trivial objects such as â€Å"real books† and medals with â€Å"authentic looks†. Less Than Zero poses are more critical view of society, with the narrator becoming confused by the moral ambiguity and generally growing to hate the society that he belongs to as it has been reduced to individualism and by an large a fractured society whereby â€Å"people are afraid to merge†.

Drexel University Dining

James Kirwan and Joey Mannarino John Borczon English 102 2/28/13 Drexel Dining Not Meeting Basic Needs As any college student knows, the quality of a school’s dining hall is extremely important. To be successful as students, it is an absolute must that a student is strong and healthy. One of the keys to being strong and healthy is a healthy and balanced diet, filled with a variety of foods. At Drexel, we are being deprived of this necessity. While we do have a dining hall that is open for most of our day, actually eating there is an issue. For all freshmen at Drexel, a dining plan is required.There are three different traditional meal plans, ranging from a hefty $1,830 to $1,915. All three traditional plans revolve around the Handshumacher Dining Center. The custom meal plans also provide various options, but in the end, focus around the Handshumacher Dining Center as well. The meal plans are outrageously expensive; however, considering the tuition most students are paying, th is is not the issue. The issue is the quality of food in the dining hall. It is one matter for students not to enjoy the food that they eat, but even more of a concern when the food they are eating is unsafe to be eaten.Just in the last few weeks, at least 10 people have been bed ridden for days due to, what they believe, to be food poisoning from the Handshumacher Dining Center. This is a major problem. Once a person has contracted a food-borne illness, participating in academics and/or extracurricular activities becomes nearly impossible, affecting students’ lives and grades severely. With students potentially in danger of becoming sick and being affected in their academics, this is more than just disliking the dining hall. The Handschumacher Dining Center is not clean by any means at all.After eating there a few times, occurrences such as finding a single black hair in our mashed potatoes and flakes of crude in our drinks became a regular ordeal. When trying to get soda fr om the soda machine there would be various particles coming from the machine itself. Once it comes out of the dirty machine, it will then go into one of the glass cups provided by the dining center. These are rarely cleaned properly and there always spots and other residue on them (see below). [pic] This is also a major problem with the utensils and even the plates.There is simply no excuse for this, as we are paying a good amount of money for the dining hall. The entire dining hall environment is a disgrace. Upon entering the dining hall, you are lead down a flight of stairs into a dull gray basement with next to no natural lighting. The area where the food is prepared for the student’s is not visible, and based on the food that is served, probably for good reason. Once our tray is filled with whatever sub-par food they have prepared for us, we are to go into a very poorly designed seating area. The eating environment is far from pleasant.Half the challenge is finding a tabl e that is clean enough to eat at, as the tables are not regularly cleaned off when students leave them. One could argue that it is the students’ responsibility to keep the tables clean, but this is simply illogical. If there are people being paid to clean the tables, a student is not going to go out of their way in making sure their area is cleaned. The lack of cleanliness of the dining center extends beyond the seating area. If what we see out in the seating area is bad, what goes on behind the scenes is even worse.In a December 2010 Pennsylvania Food Code inspection, there were â€Å"mouse feces found in the kitchens and storage areas, fruit flies observed underneath a self-serve beverage station and lack of a dedicated sink for mop-water disposal, among other violations† (Strauss). The Triangle, Drexel’s newspaper, has various accounts recorded about the Handschumacher Dining Center, one of which includes a student seeing a live mouse running around. In these conditions, it is just about impossible for any food prepared to possibly be sanitary.This January, The Triangle published another article that discusses students receiving food poisoning and even the norovirus from the Handschumacher Dining Terrace. Norovirus is a highly contagious virus usually transmitted through undercooked food and occasionally direct contact with an infected person. The student who contracted the norovirus ended up being sent to the ER. In the Drexel Facebook group there are posts weekly that complain about food poisoning or stomach aches caused from this dining hall. One of those students is Maggie Heath-Bourne.She â€Å"personally know[s] a good deal of people who have gotten sick† from this dining center. She was unable to attend her Wednesday classes. Maggie also positive that the dining center caused her illness â€Å"because [she] had been really rushed at the beginning of the week and only had time to go [to the Hans] on Monday and Tuesday, [an d she] got sick on Wednesday. † Since the university basically requires its freshman to eat at this dining hall, something needs to be done. There is no reason students should be scared for their health by eating at their own dining hall.The issues above are absolutely unacceptable for our dining hall, but in actuality, these are issues faced by quite a few dining halls around the country. In examining the various dining halls that have had problems there seems to be one common thread- the food production company Sodexo. We asked friends of ours how satisfied they were with their dining halls. Those who were happy with their dining halls went to schools that did not have Sodexo. Most of these students’ dining halls were controlled by Aramark. In further research, it became apparent that Sodexo is the root of our problems at Drexel.The same types of problems that we had at Drexel were faced by students at Fordham University, who also contracts Sodexo. An excerpt of the i nspection read: â€Å"The inspections unearthed evidence of mice, roaches and improper storage of food, shortcomings that placed Fordham eateries in the lowest grade bracket† (Ram Online). This is concerning not only for Fordham students but for any school that allows Sodexo to control its dining environment. The case at Fordham got so out of hand that the dining hall was required to be shut down for a little while. Once it was finally opened back up, the tudents decided to hold a protest. However, this protest got them absolutely nowhere. At Drexel, there has to be a solution that we can execute to get a decent selection of food in our dining hall. At Fordham University, the method of a protest failed, as Sodexo still stayed as the school’s main food supplier. Sodexo claims on its website that it has a board of students that overview it’s dining services. This board of students does not have a representative from Drexel University on it. If we had some input ab out our dining hall through this board, maybe there would be some action taken.Another solution we could execute is introducing a board of various students that oversees and works with the kitchen staff to make sure the meals are both well prepared and well varied. These students would need to be Drexel students who frequent the dining hall. By being on this board, they will receive no benefits towards their dining hall plans or anything of the sorts. It would be a totally transparent board also. This way, students would have an outlet to go to to complain about the problems in this dining hall. The way it is set up now, it is extremely hard to get a meeting with anyone in the dining hall.For the purpose of this paper we attempted to set up a meeting with the director of residential living on campus. It took us about an entire month to schedule a meeting with this man. For a campus environment that can be fair to all, the food staff needs to be much more accessible. It is ridiculous that we have to wait so long for a meeting with someone who can make a change for us. This student board could supervise Sodexo until its contract with Drexel University is over. However, as soon as possible getting Sodexo out of Drexel’s dining hall would be ideal.This company has proven time and time again throughout the country that it cannot maintain a dining environment. Sure, it can provide food, but not good or safe food. This student leadership board could take a look at other food companies that are doing a better job satisfying both students’ needs and also pass health inspections. Drexel has decent dining options outside of the dining hall. There is a second dining option, accessible only through our dining dollars which is kept fairly clean. The food choices are from chains across the country. The election of food is not the best, but at least it is kept clean. This would probably not be the direction for our dining hall to go in. Drexel has a faculty dini ng hall, run by Sodexo, which is treated in a different manner entirely then the Handschumacher Dining Center. Why should the students be getting second rate food when they are paying for a meal plan? Also, Drexel just received a large scale grant that is going to a renovation project for the area outside of the main building. With this money, Drexel could have begun production on a dining hall run by the 12th Street Caterers, also a Drexel company.With so many possible solutions why do we allow Drexel to continue to feed us the same dirty and poorly made food? We have to find some sort of way to make sure that Drexel implements the student’s opinions into choosing a new plan and direction for its dining hall. To start, we must set up some sort of board for students to voice their opinions directly to Sodexo. From there, we must see what we can do to get Sodexo out, and using this same board of students, create a new solution that pleases all students and also follows health standards. No matter what we do, we cannot keep going in the manner that we are going.

the punk experience essays

the punk experience papers In 1994, chief Oliver Stone and storywriter Quentin Tarantino made the encapsulation of the American artful cu...